This talk recreates a visual tour of Italy in the company of J.M.W. Turner. By studying rarely seen drawings from his travel sketchbooks we will take a privileged look into the world of the artist, following in his footsteps through Venice, Rome, Tivoli and Naples. Through his most intimate and private sketches we will recapture the excitement and dangers ofnineteenth-century tourism, and the British love of Italian culture and history. In addition to on-the-spot sketches documenting where he went and what he saw, we will examine Turner’s artistic response to his Italian experiences, tracing the evolution of his ideas from preparatory studies to finished watercolours and oils.

Nicola Moorby is an art historian specialising in British art of the 19th and early 20th centuries. She is Curator of British Art, 1790-1850 at Tate Britain and guest curator of Turner’s Kingdom: Beauty, Birds and Beasts at Turner’s House in Twickenham. Her new book, Turner and Constable: Art, Life, Landscape is published by Yale University Press (2025).

 

DISCLAIMER: By participating in a BIS webinar or live event you automatically agree to authorise recording of audio and visual content during the event and consent to subsequent use of the recording in the public domain. This recording may include questions, comments and poll responses provided by you during the event in addition to your name, voice, image or likeness. This recording will be made available after the conclusion of the live event as part of the BIS webinar archives, and will remain available indefinitely. If you do not wish to consent to the recording, please do not join the event or contact us to discuss your concerns.

Photo credit: Yale Center for British Art

This event will reflect on the unsung power of every migrants’ savings and their contribution to society’s development through the inspiring story of AP Giannini, a common migrant, whose lifelong commitment to social mobility led him to found and grow Bank of America against all odds.

Valentina Signorelli (PhD) Course Leader BA Media and Communication, University of East London, UK. Co-founder and Creative Producer of Daitona, awarded the most innovative Italian production house of 2018 and its advertising division DOGODOT.

Cecilia Zoppelletto (PhD) Visiting Professor of Film Studies, Académie des Beaux Arts Kinshasa, DRC. Founder of Preston Witman Productions, documentary filmmaker and factual content producer, she has worked for the Italian national broadcasting company RAI and AntennaTreNordest.

 

A DRINKS RECEPTION WILL FOLLOW THE TALK

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DISCLAIMER: By participating in a BIS webinar or live event you automatically agree to authorise recording of audio and visual content during the event and consent to subsequent use of the recording in the public domain. This recording may include questions, comments and poll responses provided by you during the event in addition to your name, voice, image or likeness. This recording will be made available after the conclusion of the live event as part of the BIS webinar archives, and will remain available indefinitely. If you do not wish to consent to the recording, please do not join the event or contact us to discuss your concerns.

Photo credits: Wikimedia Commons

 

A JOINT EVENT WITH THE VENICE IN PERIL FUND

Formerly a Trustee of the British-Italian Society, Charles Avery is a specialist in European, particularly Italian, sculpture. A graduate in Classics from Cambridge University, he obtained a Diploma in the History of Art at the Courtauld Institute and a doctorate for published work from Cambridge. Charles was Deputy Keeper of Sculpture at the Victoria and Albert Museum (1966-79) and a Director of Christie’s for a decade. Since 1990 he has been an independent historian, consultant, writer and lecturer.

Charles’ books include Florentine Renaissance Sculpture (1970), Donatello: an Introduction (1994), Giambologna, the Complete Sculpture (1987), Bernini, Genius of the Baroque (1997 – paperback, 2006), The Triumph of Motion: Francesco Bertos (1678-1741) and the Art of Sculpture (2008), A School of Dolphins (2009) and Joseph De Levis & Company: Renaissance Bronze-Founders in Verona (2016). His latest book is Il Bresciano: Bronze-caster of Renaissance Venice.

A DRINKS RECEPTION WILL FOLLOW THE TALK

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DISCLAIMER:
By participating in a BIS webinar or live event you automatically agree to authorise recording of audio and visual content during the event and consent to subsequent use of the recording in the public domain. This recording may include questions, comments and poll responses provided by you during the event in addition to your name, voice, image or likeness. This recording will be made available after the conclusion of the live event as part of the BIS webinar archives, and will remain available indefinitely. If you do not wish to consent to the recording, please do not join the event or contact us to discuss your concerns.

Zoom event.

What food was considered scandalous if consumed by women in public during the Renaissance? Why is carpaccio called carpaccio; the Bellini, the Bellini? How did the Colosseum get its name?

Test your knowledge while discovering surprising new facts about “The Boot”.  An interactive cultural “trivia” challenge for anyone in amore with Italy and its astonishing culture and delizioso cuisine.

Carla Gambescia, lecturer, travel writer & author of the awarding-winning book,  “La Dolce Vita University: An Unconventional Guide to Italian Culture from A-Z” – available on Amazon

If you wish to attend this event, please register by clicking the “book now” button. You will be redirected to our Zoom registration page. After registering, you will receive a confirmation email containing information about joining the webinar.

PLEASE NOTE: we are not making any formal charge for participation in this event. But we strongly encourage all those attending to consider making a donation (we suggest a minimum donation of £5 per event) to enable us to maintain our programme of events and to support our other cultural initiatives.  If you are able to make a donation, please use the relevant button on the right or arrange a bank transfer to:

The British Italian Society
Sort code:  20-36-88
Account No:  30197866
Please quote: donation

 

SOLD OUT!

Please contact us if you wish to be included in the waiting list

THE LECONFIELD LECTURE 2021

Please note: due to social distancing restrictions and limited space, this event is reserved to members only
Sergio Leone’s film Once Upon a Time in the West (1968) was intended to be the “ultimate Western”- a celebration of the power of classic Hollywood movies, a meditation on the making of America, and a lament over the decline of one of the most cherished film genres – in the form of a “dance of death” memorably scored by Ennio Morricone.  It was also an exploration of the relationship between myth (Once Upon…)  and history (…in the West) and of Leone’s own memories as an avid filmgoer who in his youth in Trastevere loved Westerns. Since the film was first released (to lukewarm reviews), its reputation – among film-makers, critics and cineastes alike – has grown and grown, to the point where it is now considered one of the great Italian films. One celebrated example: Quentin Tarantino recently recalled “This was the movie that made me consider film-making…but more, how to make an impact as a film-maker”.
Illustrated with rare one-set photographs, production designs, and discoveries from the Italian archives, this lecture will share new perspectives on the film and will discuss its changing reputation.

 

Sir Christopher Frayling is an award-winning broadcaster, writer, educationalist and perhaps the most wide-ranging cultural historian of our times: the author of numerous publications on subjects ranging from vampires to Westerns; the writer and presenter of successful television series, whether on advertising, the Middle Ages or Tutankhamun. He is a Fellow of Churchill College, Cambridge, and was Rector of the Royal College of Art, London, from 1996 to 2009, where he remains Professor Emeritus of Cultural History. His many public appointments have included Chairman of Arts Council England; Chairman of the Design Council; and the longest-serving Trustee of the Victoria and Albert Museum.

 

A DRINKS RECEPTION WILL FOLLOW THE TALK