|
Year |
Translator |
Title |
Author |
Publisher |
| |
|
|
|
|
|
1963 |
Donata Origo |
THE DESERTER |
Guiseppe Dessi |
|
| 1963 |
Eric
Mosbacher |
HEKURA
|
Fosco
Maraini |
|
| 1964
|
Angus
Davidson |
MORE
ROMAN TALES |
Alberto
Moravia |
|
| 1964
|
Professor
E.R. Vincent |
A
DIARY OF ONE OF GARIBALDI’S THOUSAND |
G.
C. Abbas |
|
| 1964 |
H.S.
Vere-Hodge |
THE
ODES OF DANTE |
|
|
| 1965 |
W.H.
Darwell |
DONGO,
THE LAST ACT |
P.L.
Belline delle Stelli & U. Lazzaro |
Macdonald
|
| 1966
|
Stuart
Woolf |
THE
TRUCE |
Primo
Levi |
The
Bodley Head |
| 1966
|
Jane
Grigson & Father Kenelm Foster |
THE
COLUMN OF INFAMY prefaced by OF CRIME AND PUNISHMENTS |
Allesandro
Manzoni & Cesare Beccaria |
OUP |
| 1967
|
Isabel
Quigly |
THE
TRANSFER |
Silvano
Ceccherini |
Eyre
& Spottiswoode |
| 1968
|
Muriel
Grindrod |
THE
POPES IN THE 20TH CENTURY |
Carol
Falconi |
Weidenfeld
& Nicolson |
| 1968
|
Raleigh
Trevelyan |
THE
OUTLAWS |
Luigi
Meneghello |
Michael
Joseph |
| 1969 |
Sacha
Rabinovitch |
FRANCIS
BACON,FROM MAGIC TO SCIENCE |
Paolo Rossi |
Routledge & Kegan Paul |
| 1969 |
William
Weaver |
A
VIOLENT LIFE |
Pier Pasolini |
Jonathan Cape |
|
1970 |
Angus Davidson |
ON NEOCLASSICISM |
Mario Praz |
Thames
& Hudson |
|
1971 |
William Weaver |
THE HERON |
Giorgio Bassani |
Weidenfeld & Nicolson |
|
1971 |
William Weaver |
TIME AND THE HUNTER |
Italo Calvino |
Jonathan Cape |
|
1972 |
Patrick Creagh |
SELECTED POEMS |
Giuseppe Ungaretti |
Penguin |
|
1973 |
Bernard Wall |
WRESTLING WITH CHRIST |
Luigi Santucci |
Collins |
|
1974 |
Stephen M. Hellman |
LETTERS FROM INSIDE THE ITALIAN COMMUNIST PARTY |
Maria Antonietta Macciocchi |
New Left Books |
|
1975 |
Cormack O’Cuilleanain |
CAGLIOSTRO |
Roberto Gervaso |
Gollancz |
|
1976 |
Frances Frenaye |
THE FORESTS OF NORBIO |
Guiseppe Dessi |
Menard Press |
|
1977 |
Ruth Feldman & Brian Swann |
SHEMA, COLLECTED POEMS OFPRIMO LEVI |
Primo Levi |
|
|
1979 |
Quintin Hoare |
SELECTIONS FROM POLITICAL WRITINGS 1921-26 |
Antonio Gramsci |
|
|
1980 |
Julian Mitchell |
HENRY IV |
Pirandello |
|
|
1982 |
Christopher Holme |
EBLA |
Paolo Matthiae |
|
|
1984 |
Bruce Penman |
CHINA |
Gildo Fossati |
New English Library |
|
1986 |
Avril Bardoni |
THE WINE DARK SEA |
Leonardo Sciascia |
Carcanet |
|
1988 |
J.G. Nichols |
THE COLLOQUIES OF GUIDO GOZZANO |
|
Carcanet |
|
1990 |
Patrick Creagh |
DANUBE |
Claudio Magris |
Collins Harvill |
|
1990 |
Patrick Creagh |
BLIND ARGUS |
Gesualdo Bufalino |
Collins Harvill |
|
1992 |
William Weaver |
THE DUST ROADS OF MONFERRATO |
Rosetta Loy |
Collins |
|
1992 |
Tim Parks |
SWEET DAYS OF DISCIPLINE |
Fleur Jaeggy |
Heinemann |
|
1994 |
Tim Parks |
THE ROAD TO SAN GIOVANNI |
Italo Calvino |
Jonathan Cape |
|
1996 |
Emma Rose |
HIS MOTHER’S HOUSE |
Marta Morazzoni |
Harvill |
|
1998 |
Joseph Farrell |
TAKE-OFF |
Daniele del Giudice |
Harvill |
|
2000 |
Martin McLaughlin |
WHY READ THE CLASSICS? |
Italo Calvino |
Jonathan Cape |
|
2002 |
Stephen Sartarelli |
PRINCE OF THE CLOUDS |
Gianni Riotta |
Flamingo |
| 2004 |
Howard Curtis |
COMING BACK |
Edoardo Albinati |
Hesperus Press |